Posted by: niuse on: April 23, 2009
To begin with, What is usability? The simple answer is: Usability is a term used to measure the quality of users’ experience and ease of use with a given system. (We are limiting our scope of ’system’ to be that of a computer software system – either standalone or web based). Usability quantifies the extent of satisfaction or irking that a user experiences with respect to the system.
It is extremely critical for any project’s designers and architects to make a system that can be used with ease. Studies have proven that the easier a system makes a user comfortable with itself, the more are its chances of achieving its specific objective. With terms like ‘conversion’ and ‘bounce rate’ taking such a crucial importance in any project’s planning and execution, we can’t just afford to keep usability and User Interfaces (UI) out of the picture. Can we?
Coming straight to the point, a well designed User Interface may just make your deal. Your website is the face of your business on the internet and the home page is the face of your website! You don’t want to show an ugly face for your business. Nobody does! So, without missing a beat, here are a few quick pointers you would want to consider while (re)designing your home page next time.
It is most essential that the first thing your lead notices is the stuff you want him to see first. So, keep the most important information visible without requiring too much scrolling.
Few notes:
Source: http://blog.galaxyweblinks.com/web-design/usability-design-pointers-for-home-pages
Posted by: niuse on: April 23, 2009
Online Marketing is the buzzword on the internet today. It has conceived and given shape to various business models like B2B, B2C, affiliate marketing, advertising and publishing et al. And though internet marketing is an entire different dimension in its own, its still similar to traditional marketing at its core. Try to remember what’s the first thing you notice as you enter a departmental store or a supermarket? Unless you’re in for a shoplift, you will probably see the latest product on offer on a display shelf. Its unusual to think about it, but if you really think, they’re kept over there only so you could notice them. That is exactly why we have landing pages on the internet. Landing Pages are the display shelves of your website. In this and the next post, we are going to look around what Landing Pages are all about and how you can use them to your benefit.
What is a Landing Page really?
Strictly speaking, a landing page is the page on which the visitors of your websites “land” from a source. If a visitor comes to your website by typing in the URL of our website’s homepage (for e.g. http://www.galaxyweblinks.com), his landing page would be http://www.galaxyweblinks.com/index.php . If the visitor reaches our website through the contact page of our website (say, via a search engine), the landing page would be http://www.galaxyweblinks.com/contactus.php .
However in internet marketing, a landing page is interpreted as the page where you want your visitors to land deliberately. On a broader scale, its basically the same thing as above, but look minutely and you will realize that internet marketers are using landing pages as their display shelves. Landing pages are a face to your products. They are made and campaigned in a way to make the visitors notice and take interest in them.
How many types of Landing Pages?
Traditionally and in the books, landing pages are essentially classified into two categories: Reference and Transactional.
1. Reference Landing Pages are pages that are made for the purpose of displaying information to the visitors. These pages usually do not prompt the reader to take any action. The objective of such a landing page is not broadcast, not sell.
2. Transactional Landing Pages are pages which actually prompt (in many cases, lure) the visitor to do something that ultimately leads to the fulfillment of the objective of having such a landing page. The basic difference between such a page and a reference page is that a transactional page has – what it is commonly known as a – call to action. Such pages usually have a small form being displayed prominently and the visitors are expected to fill that form. Conventionally, the “Visitors” are called “Leads” and once a lead takes the action which fulfills the objective of the landing page (for e.g. fills the form), its usually called a conversion – though the actual interpretation of conversion depends from person to person.
Eye Tracking Heat Map. Courtesy http://www.impactmedialtd.co.uk/blog
Eye Tracking Heat Map. Courtesy http://www.impactmedialtd.co.uk/blog
Apart from these two, there’s another kind of Landing Page which is creating a roar in Direct Marketing. Its called the -
3. Squeeze Page. Squeeze pages are web pages having just one objective: capture visitor’s data. Squeeze pages are heavily targeted landing pages which extensively focus on goal conversion. (Since the goal here usually does not require the visitor to actually spend money,) These pages have an unusually high conversion rate and are used to get niche data while planning targeted email and direct contact campaigns. Squeeze pages have usually have minimum or no navigation. I’ve read somewhere that the best squeeze pages are created with such perfection that even a native who can’t read and understand a thing would know what he’s supposed to do!
What should your landing page have?
Source: http://blog.galaxyweblinks.com/news/creating-effective-landing-pages-part-i
Posted by: niuse on: January 23, 2009

Halle Berry
Posted by: niuse on: January 13, 2009
Suspense, comedy, dance, drama and action – director Nikhil Advani has packed it all in his forthcoming movie ‘Chandni Chowk To China’ that releases Jan 16.

chandnichauk to china
The Akshay Kumar-Deepika Padukone starrer is already the talk of the town courtesy its huge promotional activities.
”Chandni Chowk…’ is a story about ‘believing in yourself’. It’s an old-fashioned Bollywood masala film in its entirety and I hope people enjoy the two-and-a-half hour spectacle,’ Advani told IANS over phone from Los Angeles in the US.
Co-produced by Ramesh Sippy Entertainment, People Tree Films and Hollwyood-based studio Warner Bros, ‘Chandni Chowk…’ is about an Indian cook, Sidhu, played by Akshay, who goes to China and is mistaken for a martial arts expert.
Deepika, who plays Akshay’s ladylove, will be seen in two different avatars.
Shot extensively across China and Bangkok, the film also stars yesteryears’ disco sensation Mithun Chakraborty, Ranvir Shorey and renowned Chinese actor Gordon Liu, who marks his debut in Bollywood with the film.

Mithun Akshay in Chandni Chowk to China
The story goes like this:
Sidhu is the lowest on the social ladder, cutting vegetables at a roadside food stall in Chandni Chowk in Delhi. Sidhu longs to escape the drudgery of his dreary existence and looks for shortcuts by consulting astrologers, tarot readers, and even fake fakirs.
He believes in anything and everything except himself, despite his father figure Dada’s (Mithun) best efforts. His redeeming moment arrives when two strangers from China claim him to be a reincarnation of a war hero and take him to their mystic land.
What follows next is a madcap journey from the by-lanes of Chandni Chowk in Delhi to Shanghai and the Great Wall of China, weaved in with rib-tickling gags, breathtaking stunts, spectacular locations and emotions.
The movie has garnered much media attention for its various firsts like it’s the first Indian movie to be shot in China and the first to have more than 1,500 VFX shots. And last but not the least — Warner Bros have bankrolled a Hindi film for the first time.
The film is also being touted as being based on Akshay’s life. However, Advani slams the rumours.
‘I would like to clarify that the film is not based on Akshay’s life but it only has similarities with his life. Just like Akshay went to Bangkok from Chandni Chowk and worked there in a hotel, the character Sidhu is a cook from Chandni Chowk, who goes to China and is compelled to learn martial arts in order to meet his destiny,’ he said.
‘Chandni Chowk…’ boasts of a varied soundtrack by multiple composers like Shankar, Ehsaan and Loy, Kailash Kher, Bappi and Bappa Lahiri.
The soundtrack also includes a rap song sung by Akshay and composed by Punjabi rapper Bohemia. It has already become a rage among youngsters.
Throwing light on the music scene for the film, the director informed: ‘We decided to have different music directors to have a different feel about the music of the film. Shankar, Ehsaan and Loy are old friends and they generally don’t work with multiple music directors in a project, but I requested them and they agreed.
‘Then we requested Bappi Lahiri to do a song and also roped in Kailash to lend a different pitch to the songs. Akshay also suggested that we do a rap song and recommended Bohemia and the response has been tremendous,’ the director said.
Being the first major release of the year, the film is being hugely promoted globally.
It is also the first Indian movie to have multiple international grand premieres in a row at Los Angeles, New York, Toronto and London respectively on Jan 7, 8, 9 and 10 followed by those in Dubai, Bangkok and Delhi.
Akshay had a stupendous record last year in the blockbuster ‘Singh Is Kinng’, which totted up a gross of around Rs.1.5 billion worldwide. It looks like the actor is all set to scorch the screens again with ‘Chandni Chowk To China’ – his first release of the year.

chandnichauk to china
Chandni Chowk To China, the first ever Bollywood Kungfu comedy takes you on a madcap Journey from the by-lanes of Chandni Chowk in Delhi, to Shanghai, the Great Wall and rural China, marrying in its wake hilarious gags, breathtaking action, spectacular locations and heart stirring emotions.
Our protagonist Sidhu (Akshay Kumar) is the lowest on the totem pole, cutting vegetables at a roadside food stall in Chandni Chowk in Delhi. He longs to escape his dreary existence and looks for shortcuts- with astrologers, tarot readers and fake fakirs – basically believing anything except himself, despite his father figure Dada’s (Mithun Chakraborty) best efforts.
His redeeming moment arrives when two strangers from China claim him as a reincarnation of a war hero in the past and takes him to China. Sidhu now dreams of wine, women, and a princely existence in foreign lands. Thanks to the devious translator, a conman by the name Chopstick (Ranvir Shorey), little does he know that he is being taken to the Promised Land to rid the Chinese village of the vicious smuggler Hojo (Gordon Liu)!
So Sidhu blissfully sets forth to China with Chopstick who instigates dreams of a delicious future and forgets to reveal the perils which await him. Along the way he meets Sakhi (Deepika Padukone), Ms. Tele Shoppers Media (Ms. TSM) who has embarked on a journey to pay homage to the land of her birth and her dead father and twin.
Initially, Sidhu through a series of lucky coincidences manages to sidestep being beaten by Hojo’s men but finally Hojo catches up with him and exposes him as the country buffoon that he really is. Sidhu has the fire of revenge in his belly and finds the one man who will make him a Kungfu expert and set the village free. Armed with his Sifu (master), faith in himself and the love of the fair Sakhi Sidhu sets forth to conquer all!
Posted by: niuse on: January 13, 2009
by Stephen Turbek on 2006/09/19
How many times have you been asked, “So, is the new website going to be black and white too?” after presenting your wireframes to a client or a usability test subject?
This question is almost a traditional part of being an information architect. Wireframes do not clearly define what they mean to convey, leading to confusion. This is most apparent in wireframe usability tests with users who don’t know anything about the project or process. Fortunately, there are a few simple steps that will make wireframes be understood by anyone. They don’t even have to be much more work. It’s simply a matter of choosing to “get real” from the start.
Real people don’t understand wireframes
Usability tests are done to get early feedback on content and functionality decisions from people outside the project team. These participants, unfortunately, are not sure how to respond to a wireframe. It is not intuitively clear what they should be doing, which site they are looking at (public site, intranet, client site)—it may not even be clear that they are looking at a web page. This lack of information and context adds a bit of cognitive friction to each step in the process. This level of confusion results in less confident answers and fewer opinions.
Wireframe tests usually take place with well-meaning, but unsophisticated users. They generously accede to poking and prodding and answer questions as best they can, despite not exactly understanding what is wanted. This realism gap is due to the lack of definition of what should and should not be looked at. “Look at the field names but not body copy.” “You can look at the forms but not images.” “Comment on the page layout but not design, and, yes, the font size but not font.” It’s no wonder that the layperson is confused.
Visual affordances, such as color and underlining links are key to using a site, and these cues make a significant difference in a usability test. Users cannot confidently predict how they would use a page if they don’t recognize links or can’t read what the page expects them to. Information architects, however, tend to shy away from these cues because they don’t want to step on designers’ toes. Wireframes, after all, are not designs.
Or are they?
Avoiding “design” elements removes visual cues that users rely on:
* Color, which identifies hyperlinks and focuses the user’s attention on an element of the page * Branding, which confirms that the user knows where they are * Recognizable web page elements, such as forms and search fields * “Content,” such as account numbers or product names, which allows experienced users to focus on how they would really use the page, instead of interpreting “lorem ipsum”
The boundaries of the role of the information architect shouldn’t be more important than clarity.
Originally the term “wireframe” referred to a quickly rendered 3D model showing the model’s structure used while the model maker was working. They were much faster to work with than the full rendering. Interestingly, they are not currently used as modern tools and techniques are fast enough.
Why wireframes?
Information architects construct wireframes instead of designing final pages, in part, because:
# Wireframes are faster. # Information architecture and design phases can happen in parallel. # Wireframes force viewers to focus on the content, not the visual design.
Notice anything? All these goals are internally focused on the project-team. Wireframes aren’t created for external audiences.


Figures 1,2: Originally the term “wireframe” referred to a quickly rendered 3D model showing the model’s structure used while the model maker was working. They were much faster to work with than the full rendering. Interestingly, they are not currently used as modern tools and techniques are fast enough.
Wireframes are conceptual models of a page that web design teams have become to interpreting. Each wireframe is surrounded by experience in reading them, knowledge about the project scope, knowledge about how the designer will use the document. Liz Danzico writes about this wireframes becoming project memory in the article “The Devil’s in the Wireframes.”
Just because project teams understand the purpose of wireframes, that doesn’t mean everyone will. Similar to listening to someone sing out loud to his iPod: we only hear the singing, while the person hears the whole orchestra. Likewise, the test subject knows only that “the page isn’t going to look like what they see,” but what they see is all they have to react to.
Wireframe makeover
Here is an example of the simple steps to transform a standard wireframe into a realistic wireframe. In this example, let’s say we are designing a registration process for Verizon.com (no special criticism is intended for the site below).
The site we are designing for Verizon.com:
Here is a standard wireframe:
And here is the same wireframe, made more real. (An additional 10 minutes was required to use the standard header and a library of realistic form elements in Visio or InDesign.)
And here is a version re-using Verizon’s standard buttons and clip art. (Additional time: two minutes.)
Which do you think would be easier for test subjects to understand?
Tips to get real
These tips are best for intranets or sites with defined styleguides, and less useful for graphical or marketing pages where the design is the content of the page.
# Make a header bar with the company branding. It should look like the site they are used to, showing the company logo. # Use color. Hyperlink color is a basic requirement. # Put a web browser frame around the image (or at least the first page). # Use real form elements, not drawn replicas of them. # Create a template or library of real form elements (feel free to share yours in the comments below). # Avoid lorem ipsum. Instead, use: “Descriptive text that will explain this product.” to avoid confusion about greeked text. # Use accurately sized fonts (this also keeps you honest about what can fit on the page). # Use real detail such as products names and data. Especially on transactional tools with expert users, users care about what they are reading and recognize and use data like account numbers. It may not be important to us, but they have expectations that need to be met.
Compare the wireframe to the current site, note any changes in functionality that may trip them up.
The page doesn’t have to be perfect, just enough to give the test subject their bearings. A semi-designed page is easier to understand than a non-designed page. This is not wasted work; these decisions need to be figured out at some point. Consider bringing designers into the process earlier, cooperating on file formats and processes. It might even make their jobs easier.
Are traditional roles limiting projects?
Wireframes are in fact the first design iteration, and this overlap with visual design can be uncomfortable for teams. However, denial is not the way to fix this issue. Good collaborative relationships should make this overlap an opportunity to reduce work, not fight over ownership. Concern that wireframe might be mistaken for a visual design, or worse, be criticized for lacking design, may be holding the entire project back. It is much easier to communicate within the project team than the outside audience.
Consider these and other ways to make the transition as smooth as possible, for example, by having the wireframe be designed to import into the designer tool without retyping all the text.
source: http://www.boxesandarrows.com/view/real_wireframes
Posted by: niuse on: January 13, 2009

Posted by: niuse on: January 7, 2009
If you are considering building your own aquarium, I cannot emphasis enough the need to get the engineering right, because a dud fish tank will make a hell of a mess on your lounge room floor if you don’t.

The other obvious factor is the weight of water. Water is very heavy.
(The average 4 foot aquarium weighs more than your mother-in-law.)
I hope I can make the point that, its the water that will break your heart, if you underestimate that weight of your fish tank.
A litre (around 2 pints) of water weighs one kilogram (about 2 pounds) and only takes up a space of about 4 inches high, 4 inches wide and 4 inches deep, that is 100 x 100 x 100 millimetres.
You only have to double ONE of these to double the weight.
If you double 2 of these it is 4 times the weight and if you double ALL of them, it is 8 times heavier,….So 200 mm x 200 mm x 200 mm (just under 8 x 8 x 8 inches) weighs 8 kilos or nearly 20 pounds on the old scale.
….Here is a tank 1 metre long (about 3 feet) by 300 mm (1 foot) by 300 mm and when full of water, it weighs 90 kilograms, about the weight of a large man.
Now lets look at the same length tank, only 600 mm by 600 mm (2 feet x 2 feet and 3 ft long). It is 4 times heavier.
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Yes, that’s right, it weighs as much as 4 men. Now let’s say, you decide you want a BIG tank, like, say, something about the size of a small car. At 2.5metres long and about chest high (that’s about 4 foot 6 inches on the old scale) this monster would weigh over 6 tons or nearly 10 times MORE than a small car.

(BUT it would look great in your living room.)
Broadly speaking, engineering is the critical factor, not the thickness of the glass.
With enough braces you could theoretically build an enormous glass tank from very thin material, but it would not look very attractive. You would need to have vertical braces every few inches and that definitely is not what you want.
In order to get a reasonable viewing area, we need to consider thickness and the type of material for the job.
To start consider the following types.
Annealed glass
Laminated glass
Toughened glass
Polycarbonate and other plastics
Fibreglass with glass front and variations.
Annealed Glass
There are 3 types of glass commonly available that are used in aquariums, or more correctly one type that has been processed to produce different qualities. It is important that you understand these differences before you select (or more interestingly) try to cut it.
You will be familiar with all three but I will explain their normal applications and you will understand which will suit your task.
Most glass is produced as “annealed” glass. Also known as “plate” glass, “sheet” glass and other local names. When glass is in this state, it breaks into large chunks and slivers with razor sharp edges.
Lets nominate the strength of 6mm (quarter inch) annealed glass on a scale of 1 to 30 as a 10.
Laminated glass
The first common treatment for annealed glass is to laminate it to another piece of the same thickness.
It is common to laminate that is, join together, 2 by 3mm pieces to get a thickness of 6.38mm (the extra .38 being the plastic interlayer).
This new piece of annealed glass we now have is still approximately 6mm thick but on the same scale of strength, it is an 8.
While it suffers slightly in the strength department, the advantage of this glass is that if it breaks, no large dangerous chucks are falling about to slash arteries and lop off limbs. It is widely used in doors, low level glazing and anywhere that human impact could be a possibility.

Toughened glass
The other common treatment is to take the original 6mm piece and subject it to heat and a fast cooling job. This has the effect of “toughening” the glass and its strength climbs to an incredible 30 on our scale. Also known as “tempered” glass, best we use that type for our tank?
Well maybe, but I haven’t told you the down side. When this glass breaks, there will be no small, leak, no crack letting out water slowly. When toughened glass breaks, it shatters into millions of pieces and occasionally, it will simply do that without any help from a brick.
If you have read my tutorial on glass cutting, you will know that glass is not “cut” but has a trench of weakened area crushed into its surface and pulled apart.
This is the other big drawback of toughened glass. You can’t cut it. If you try to score a trench into its very hard surface you will end up with a lot more pieces on the table than you wanted.
Polycarbonate
What about polycarbonate (or Lexen or Plexiglass or one of the other brand names for polycarbonate)? The short answer is yes, you can use them, just as they do in tourist marine applications all over the world. (Popular in jails and police stations too.)
Like the glass though, it also has drawbacks, the main ones being, sufficient thickness and availability at a modest price, it is easily scratched and is harder to join and seal
Fibreglass
Yes, it is not uncommon to see large tanks that only require one face to be exposed, substitute other materials for the bottom, back and sides. So a combination of glass and a fibreglass box just might be your solution, however this tutorial does not cover the art of fibreglass work and ensuring that the surface of the fibreglass does not do strange things to your fish. (This is being addressed in another tutorial on advanced and multifaceted tanks still being developed. Watch this space, as they say).
Now to the task
We will assume that for this project that you are building the standard rectangular glass aquarium and proceed on the basis that you have or are going to source glass for the job.
You might buy new glass, however if you have inherited some or are planning getting it from a demolition yard, you need to check that it will be suitable.
For a start, check that it is not tempered glass. It can usually be recognised by either an etch mark in one corner, or more rarely, small indentations along one edge. (Early tempering was done by hanging the glass from tongs on a conveyor which took the glass into the oven.)
If you have 2 pieces the same size and it is tempered, you can still use it but whatever size it is, that is the size of your tank. You will have to get the bottom and ends cut to suit.
If it is laminated glass, it doesn’t prevent you from using it, but be mindful of its relative weakness compared to the same thickness of a single thickness.
There is even an argument for preferring laminated glass in that very thick laminate off-cuts are often cheaply available from glass shops in small sizes left over from large shop front replacements.
The other argument for laminated is that if a crack occurs, you sometimes have more time to find alternative accommodation for the fish.
The last thing is obvious. Avoid heavily scratched glass.
Glass cutting
If you are keen to do the entire job yourself and cut and edgework your own glass, I suggest that you read my tutorial on glass cutting, as questions that may arise from this tutorial will hopefully be answered in The secret.
Engineering
This is where you make or break your aquarium.
I am repeating myself, but let me make this clear before we go on.
Broadly speaking, engineering is the critical factor, not the thickness of the glass.
These are the answers to 90% of the email questions I receive.
YOU DO NOT need angle iron bracing,
the silicone WILL HOLD the tank together,
YES, YOU DO HAVE TO have the braces
no, I CAN’T TELL YOU how thick the glass has to be.
The answers are here on the page, so read on.
The single most important engineering bits are the braces that support the long sides of the tank and the cross brace between.
All but the smallest tanks need horizontal (longitudinal) braces along the top edge of the sides to provide resistance to bending or “bowing” of the glass.
These are reinforced by a cross brace to tie the tops of the two sides together, and are critical for nearly all tanks.
The Longitudinal Braces.
The braces should be glass of the same thickness as the sides and be of these dimensions. The length of the brace should be 90 percent of the tank length with a width 5 percent of the tank length. This means that a 3 foot tank (900 mm) should have braces approx 800 mm long by 45mm wide and (probably) 6mm thick.
A 5 foot tank (1500mm) would have braces of 1350 to 1400 long by approximately 75mm wide and probably 10mm thick to match the thickness of the sides.
The Cross Braces
Cross braces should be fitted “by the square” method, which roughly says that the surface water area should be boxed into roughly squares.
Looking down onto the top of a 6 foot tank (1800 mm long and 600 mm front to back) this would mean fitting 2 cross braces giving 3 “squares” of water surface approx 600mm x 600mm each.
Of course if the front to back is only 500mm the “squares” are actually 500mm x 600mm, but close enough for the formula. A 1200 mm tank would only have 1 cross brace making 2 “squares” of 600 x 600

These formulae are only guides, but I would not stray too far away from these dimensions, especially should the distance from front to back be more than 25 percent of the length.
The Base
There is a popular theory that the base must be very thick as it “carries all the weight”. This is not the case provided the base upon which the tank will rest, is flat and strong. We will address the requirements of the foundations later.
Water Height and Glass thickness.
NOTE !!! THE GLASS THICKNESS DEPENDS ON THE HEIGHT, NOT THE LENGTH.
In determining the dimensions and glass thickness of your aquarium, particular attention must be paid to the height of the water.
The pressure on the joins where the sides meet the base increases dramatically with height. If you keep the height to the lowest acceptable, you will reduce the risk of a blow out. This does not mean you cannot have a tall tank, but it does create extra engineering problems.
As a guide, I recommend the water height should be no more than 500 mm for 6mm glass,
600 mm for 8mm thick glass,
700mm for 10mm etc.
As you will probably fill the tank to within 50mm of the top, this still provides for a fairly tall tank with no special requirements.
If you are planning a tall tank, say over 700mm, (30″) the main things to check thoroughly are glass thickness, cover strips for the corners, and extra bracing where the base meets the sides.
At the end of this tutorial there is a section on the tank stand and you should look at making the stand with extra support on the sides to cope with the high water pressure that comes with having a tall tank.
AGAIN!!! THE GLASS THICKNESS DEPENDS ON THE HEIGHT, NOT THE LENGTH because you will be fitting bracing to the length to take care of the sides bowing out.
Cutting list
The thickness of the glass affects the cutting list sizes, so let us assume we are constructing a 4 foot rectangular tank, of 1200 length, 500mm height and 400 front to back, from 10mm glass.
(I hesitate to use the word depth, the way it is used in cabinet making and joinery, where it means the distance “front to back”. In aquarium building, depth is often confused with height so I tend to use the phrase “front to back” to avoid ambiguity.)
As there are two common assembly methods, I suggest that the cutting be done in a way that will suit both methods of construction. More on the construction part later.
Now, to start cutting……
The Long Sides
The long sides (the front and the back) are the full length of the tank, in this case 1200 mm and the height is the full height of the tank in this case 500 mm.
The Base
The base will be shorter by the thickness of the ends, which, if we are using 10mm thick glass you deduct 20mm, or if using 6mm glass you deduct 12mm to allow for the 2 end pieces. As the base sits in between the sides and the ends, it is less than the full length of the tank.
The Ends
The ends will be the same height as the sides at 500mm and the same width as the base front to back measurement, ie 400mm less the thickness of the sides. So the ends will be 500mm high by 380mm (if using 10mm glass) for the front and back and our tank’s finished size will be 400mm.

So remember, sides and ends are all the same height.
The sides are the full width of the tank.
The base is full size less the two glass thickness off both dimensions.
The ends are the full height and the same width as the base.
You can now cut the glass required for the tank using these formulae applying them to the glass thickness and dimensions for your plan. Before using the glass you have cut, make sure that all edges have been well sanded.
Care should be taken to “strengthen” the glass by eliminating microscopic “starts” on the edges and of course make handling safer. Do not wait until the tank has been assembled to complete this chore.
Assembly
Method one
This is the easiest assembly and the strongest, but not the neatest. If you are making tanks for resale, you will need to consider both methods.
Place some newspaper on a flat hard surface (not on a blanket or other giving surface) and tape the tank together.
This method is quick and reliable and most proponents assemble tanks with adhesive tape first and just run a bead of silicone around all the inside joins, then immediately run their finger over the silicone to make a curved join just where the pieces of glass touch.
This in not quite as neat as an accurate amount of silicone neatly and quickly applied in a tank assembly jig in a large factory, but it is stronger. Much stronger, because the silicone has a grip on a larger surface area.
While you are applying the tape, you can insert 8 very thin spacers between the glass, (2 on each height) however this is not vital.
On tanks 4 foot and less, it is totally unnecessary.
Spacers should be no more than 1.5mm thick (1/16th of an inch on the old fashioned scale) and removed by your helper as you apply the silicone.
You should take your time to tape the tank together, to ensure that you are happy with how square it is, and that the panels line up correctly. If you have fitted some spacers, make sure you can remove them easily as you apply the silicone. Once you apply the silicone, it will be too late to change, so double check.

If you are building a large tank, you will need help. You may also need more than one tube of silicone, and as this is a time-critical operation, have the next one ready to go if you need it.
Applying the silicone
Cut the tube so that a solid 4mm of silicone comes out the nozzle, and, standing on the table or floor next to the tank, squeeze a continuous bead of silicone around the base.
If you have used spacers, have your helper remove the spacers as you come to them.
Now do the same to each of the verticals and then gently run your finger into the silicone to make it concave.
When you do this, some will get squeezed between the panels to add to the strength of the joins whether you have used spacers or not.
The secret is to do ALL the joins at the same time, preferably within about 2 minutes. This is very important as wet silicone does not like sticking to dry silicone.
While the silicone is setting, you are ready for cutting the braces.
Method two
This is the method that people go to instinctively, but is more difficult to get a good result.
The concept it to lay the tank out on a large flat area, usually the floor with the base in the centre and the sides and ends lying on the floor near to where they will be stood up.
Construction starts by running a bead of silicone on the bottom edge and both verticals of the sides. The sides are then stood up to embrace the end panels s and clips or tape is used to secure the whole assembly.
At this point it is important to promptly apply silicone to the inside of aluminium angle and place them over the 4 corners. This improves the strength of the tank to a very large degree.

If you have applied a neat, consistent line of silicone to the edges, the amount squeezed to the inside of the tank will be an even amount all along the joins.
A hybrid method, which I favour for large tanks, is to assemble as described, and then run another bead around the base inside, concaving the silicone with the judicious use of an index finger.
This tends to overcome objections to the lower strength around the critical area of the joins between the sides and the base using method two.
The single biggest drawback with method two is getting the right amount of silicone in a straight line on the edge of the glass before assembly.
Both methods are successful if done as described and without allowing the silicone to “go off” during the job.
Cutting and fitting the braces
This is by far the most important part of making an aquarium and you have a few hours to cut and arriss the braces while the tank is drying.
For the tank in our example, you will need 2 longitudinal braces about 1100 x 50.
The easiest way is to cut 1 piece at 1100 x 100mm and then split it down the middle.
The cross brace should be about twice as wide as the long braces (100mm) and cut to a little less than the front-to- back measurement.
So, depending on the glass you have available, you could cut a piece 1475 by 100, cut off 375 for the cross brace and split the other one to get the 2 long braces 1100 by 50mm.
Whatever way you go, remember the cross brace should be just a little shorter than the front-to-back measurement, so in our example 375 instead of the full 380 of the ends.
If you have arrissed the braces and at least several hours have elapsed, mark the OUTSIDE of the glass with a felt pen about 30mm from the top near each end and then, lay it on one side.
You should be able to see the marks through the glass and this is where the long brace will go.
Place the brace just inside the top of the tank using the marks to get the right position. Run a bead of silicone onto the inside of the tank side, using the edge of the brace as a guide.
Now stand the brace up on its edge and into the silicone.

Obviously you will now have to leave the tank again for a few more hours for the silicone to set. If you are really impatient, you can tape it into position after half an hour, being careful not to move it.
Then repeat the procedure for the other side.
After doing both side braces, the only thing left to do is place the cross brace on the long braces. This is achieved by “gluing” the cross brace or braces onto the long braces.
Just a suggestion, the cross brace should be about 5 to 10 mm less than the back to front measurement to allow clearance for the dried silicone along the edge of the long side braces. If you make the cross brace the full front to back internal size, it makes it hard to fit and makes no difference to the strength.
Put plenty of silicone on the areas of the side braces where the cross brace is going to go, so that it squishes out and covers the whole area where they join. If you are measly with the silicone here, you will see it through the glass and it looks a bit daggy.
You can clean up after it dries with a razor blade.
Silicone types
Manufacturers have 2 common ways of curing (dry to touch) silicone, non-acetic (neutral cure) and acetic cure. I prefer the acetic cure of Dow Corning 480 clear silicone, because I have never had an adhesion failure and never had a fish die.
(The popular myth is that if you use an acid cure the fish will die. I say, wash the tank out before you use it.)
The other interesting note about this particular silicone is that it says on the instructions that it is NOT suitable for aquariums.
This may seem strange but it works and has done for many years. I have never had a fish die or ever heard of anyone having a problem.
The Australian distributors told me that the aquarium market is minuscule but everyone blames the silicone if the tank fails.
It is not in their interest to acknowledge that it is suitable for aquariums when they have to put up with dimwits blaming them for leaks and the resultant damage.
As I said, I would not use anything else, but that does not mean that other products like Selleys would not do the job. In fact I think most would be OK, but I cannot recommend them as I have never tested them.
Corner covers
If you have used method one corner covers are a bit of overkill if we are considering just the strength of the tank. Its like the difference between being run over by a 5 ton truck as opposed to a 10 ton truck.
Just the same, the corner covers protect the glass against accident damage by collision and cover the silicone job if it is less than perfect.
So, even if you have used method one, corner covers are generally a good idea.
As a matter of interest, I once built a 12 foot tank weighing nearly 1 and a half tons using silicone only, no end caps at all, and never lost a drop in 3 years.
The aquarium display stand
While exercising your self-control and waiting a few days before filling the tank, we have time to consider the display stand.
While it may seem obvious, check first that the tank is standing on a sturdy base. The base must be able to stay flat under the pressure of the weight of the water. If the stand is made of metal or timber it must have enough supports to ensure it does not sag even a little in the middle.
The glass base may tolerate a little bend, the join where it meets the side, certainly will not.
There are many types of display stands and it is beyond the scope of this tutorial to describe them and suggest ways to build them.
In principle though, it is better to have support in the middle if possible if the tank will be over 4 foot long.

Before filling the tank, place a compressible material on the base of the stand to take up any small defects. A common material used is white polystyrene like that used in packing and foam coffee cups. Other materials like carpet will work, however can cause problems later if you have a spill.
I strongly recommend that when building the base that you make the base area exactly the same size as the tank and then fit a “lip” or “upstand” around the base so that the tank “drops in” to the base. This will provide extra support for the long sides of the tank at the critical area, where it joins the base and is under the most pressure.

The drawing only shows one side but you get the idea. The last one of these I did, I used construction adhesive between the support and the base of the stand. This, together with some long wood screws provides an excellent support against the water pressure trying to force the sides of the tank away from the base, but it must be a tight fit. If you find there is a gap between the glass and the support, (less than 3mm 1/8″) you can overcome this with an acrylic gap filler from your hardware store. While it is compressible, and ideally it would not be, it has the advantage of being able to clean up with water to get a great finish and will have enough consistency to do the job so long as the gap is not too wide.
Filling the tank
We usually half fill larger tanks after 48 hours and give it a good wash out. A light detergent will remove any chemical residue from the silicone and a second wash will rinse traces of the detergent.
Now you are ready to fill the tank and delve into the joys of looking after your Piscean charges.
But that’s another story.
Posted by: niuse on: December 17, 2008


Posted by: niuse on: December 17, 2008

Posted by: niuse on: December 16, 2008
Asin was born in Cochin, Kerala, India on the 26th of October 1981 in the Malayalam-speaking Thottumkal family which consists of her businessman dad, Joseph, and mom, Dr. Seline, who practices in Ernakulam. She attended Naval Public School in Cochin, and after obtaining her Matriculation, was enrolled in St. Theresa’s Higher Secondary School. After successfully obtaining her Higher Secondary School Certificate, she enrolled in St. Theresa’s College to continue studying in the Arts Faculty. After obtaining a Degree in B.A. English Literature, she assisted her dad in his business (which includes software, export of furniture and antiques) and also took up modeling on the side. Her modeling assignments included Colgate Toothpaste, and Fairever Cream.
This exposure got her noticed and she made her debut on the tinsel screen through director Sathyan Anthikad’s “Narendaran Makan” with Malayalyee actor Kunjachacko Boban.
After her initial success, she was offered Telugu movies, and warmly welcomed in the Telugu film industry. It was a smooth transition from Telugu to Tamil with the film “M Kumaran s/o Mahalakshmi”. Asin starred in the original Telugu version, so she was the obvious choice for the Tamil remake, opposite Jeyam Ravi. The movie was a super hit. What makes Asin hot in the Tamil film industry, apart from her looks, is that she has teamed up with all the top heroes — Vijay, Ajith, Surya and now Vikram, in “Maja”.
She speaks a wide range of languages such as Malyalam, Tamil, Telugu, Hindi, Sanskrit, English, French, and may well be the only Indian actress with a Blogspot in French. She is very active in various functions throughout Southern India, and credits her good upbringing to her parents, who she considers her role models. She was the winner of an entrepreneurial award as a teenager. She is fond of reading and has a huge collection of books.
Asin, along with her mom and dad, have left their Harrington Road apartment at Chetpet, Chennai, and have re-located to an apartment in Lokhandwala Complex, in Andheri (West), Mumbai, in order to enable her to debut in Bollywood movies.
She has had a taste of success at a very young age in Indian regional movies, it remains to be seen if her success will continue in Bollywood also